Untitled (The Non-Objective and Badlands)

In the process of working on photographs inspired by the 1973 film Badlands, I stumbled upon the work Objective Netherlands created originally by Reinjan Mulder in 1974 and repeated and translated by Cleo Wächter in 2017. Mulder and later Wächter applied the abstract rationality of grids to the landscape of the Netherlands and then documented […]