Andrew Schroeder

Questions for a Friday

The Touch of Satan

Life is good and I’m enjoying myself. What can I say? I’m completely spellbound by the new wall shelves that my friend Christopher Pole is going to build for me and I’m also salivating at the thought of getting out of MPLS for a while.

On a recent trip to Barnes & Noble, Curtis and I came across the Mystery Science Theater 3000 box sets. Wow. Talk about taking me back to my youth. For a second, I had bad acne and felt like I was back in my family’s basement watching the Sci-Fi Channel. Anyway. As we were watching The Touch of Satan, it occurred to me that there has to be greater critical depth to this program.

In a past post, I remarked that I thought the FOX animated television show Family Guy might be an apex of late Postmodernism. After watching MST3K again, I believe that it represents yet another facet of Postmodernism coming to fruition. Where Family Guy represents the splintering, mish-mashing, and appropriation of aspects of contemporary culture to create a new whole, one could argue that MST3K indicates another core part of postmodernism in visual culture: questions of authorship.

I couldn’t help but notice that the commentary introduced by Mike, Tom Servo, and Crow acts both as a humorous (exceptionally, even) device, and also, as a means of redrawing the narrative of the film as it unfolds. It is fascinating to watch the linear format of a bad film be verbally cut up, digested, and wittily put back together into something better.

Babbling.